The accentuated backlights of the machines huge fans arrogant towers and grandiloquent works of industrial infrastructure make up the first corpus of Margaret. These photographs are of such refined formal power that BourkeWhite could very well have gone down in history as a leading figure in the New Objectivity alongside Albert RengerPatszch or Helmar Lerski and as a forerunner of Bernd Hilla Becher.
Oliva María Rubio reminds us that Margaret e-commerce photo editing was a deeply modern photographer capable of capturing the themes the ethos the hopes the failures and the anxieties that the word modern implies and that have to do with the taste of time. In addition it must be remembered that the was not exclusive to Soviet artists such as Alexander Rodchenko In the twenties the machine expressed that spirit both in art and in life and the artistic and photographic movements took it on.
The manufacturing glorification in Margaret’s photographs suited Henry Luce founder of Fortune magazine who contacted her in to have her published in his magazine. eleven An important characteristic of this photographer’s work is the combination between an idealized factory a temple of progress and the Machine Age which she knew how to imbue with a human interest that turned her work into powerful images that reduced complex reality to forms and immediately understandable contrasts.