These unit attributes help us determine the components of the image being read. To a certain extent it is like the list of ingredients on a plate and they are the denotative elements of the image. How they are combined has to do with our next group composition. Composition Every photograph contains elements that are articulated organized in a specific way that have a certain layout and composition. So it is necessary to include some evaluation elements that allow us to analyze a photograph as it is made from the point of view of the organization of its forms.
Continent and e-commerce photo editing content In every photograph there is a container the photo itself and a content what is in the photo. The container implies the format If it is a daguerreotype an ambrotype or an electronic image with what type of instrument it was made. It matters because different teams may have what Vilém Flusser calls Program that is the limitations or characteristics of the medium. For example a medium format twinlens reflex Rolleiflex camera will necessarily generate a ratio frame that is totally square and that will force the photographer to make certain specific decisions given the peculiarity of the proportion in the frame.
The content makes us reflect on the photographic motif whether it includes people what their discourse is and how the visual narrative has been made. Style and gender Genres help us understand a set of canons rules by which an image is read. So it is not the same to read an urban portrait than a street photograph a found photograph than a created one and so on. Understanding this set of it is a canonical image that is one that follows the rules of the genre to which it belongs or if it disrupts them one that contradicts precepts or one that adds new elements to a genre such as what happened with Richard Avedon when he added movement to static postwar fashion photography.